• Eve Biddle Theo Coulombe - Fields of Snakes
  • Is Closing Dec 21st
  • Past Exhibitions
    • Portraits of Ancient Linen - Gail Rothschild
    • Peter Fulop - Reverie Realms
    • Stephan Sagmiller - LAWNS
    • Bedroom Community - Polly Shindler
    • HYDROGLYPHS a symbolic language - Melinda Hackett
    • New Views 2024 - Theo Coulombe
    • Old School - Katro Storm and Theo Coulombe
    • Dannielle Tegeder - SIGNALS - 2024
    • Jeff Joyce / John Frederick Walker - This World - 2024
    • Joshua Frankel - One and the same body - 2024
    • Danielle Klebes - Hurricane Becomes a Cloudy Day - 2024
    • Sharon Center School K Through 8 - Annual Exhibition - 2024
    • Kyle Nilan / Katherine March Driscoll - Every Love Has Its Landscape - 2024
    • Into the Mist - Tina Scepanovic - Theo Coulombe
    • Alexander Russi - Alexandria Tarver
    • NIGHT and DAY - Colleen McGuire
    • 'FEAST' Curated by Will Hutnick
    • Daisy Dew-Diamond Louise Sheldon
    • Sink Or Swim - Susan Rand
    • 'Where's My Focus'
    • Take Comfort - Kristin Worrall
    • ‘It’s All About You’ Matt Magee
    • STRUCTURED OPTIMISM Curated by Douglas Turner
    • Lizzie Gill 'NOCTURNES'
    • LOW SUNS John-Paul Philippe
    • Joshua Frankel 'EMERGENT SYSTEM'
    • Ayana Evans & Tsedaye Makonnen Curated by Douglas Turner
    • 'Country Come to Town' Curated by Courtney Childress
    • 'NOSTALGIA' Curated by Jennifer Terzian
    • 'SNACKS' Curated by Will Hutnick
    • UNDER THE RADAR
    • 'MESS' (Marker Emblem Symbol Signal) Curated by Adam Eckstrom
    • ART in PLACE: Projections
    • 'ART in PLACE' Self-Isolation Curated by Theo Coulombe
    • Lisa Warren, 'Garden Galaxy'
    • Jessie English, 'The Book of Hours'
    • Maria Baranova, 'This Brutal World'
    • Standard Space x Troutbeck
    • Siobhan McBride, '4D Heart'
    • Natalie Beall, 'Utility Suite'
    • Purdy Eaton, 'Mad to Live'
    • Will Hutnick, 'Applause Between Movements'
    • Matt Magee, 'Numerologies'
    • John-Paul Philippe, 'POND LIFE'
    • Naomi Reis, 'Mirror Room'
    • Amanda Lechner, 'Future Present Tense'
    • Kristin Worrall, 'The Recipe: Apple Strudel'
    • Shantell Martin, 'we'll get there'
    • Jeff Barnett-Winsby, 'The Feast of St. Hubert'
    • Ghost of a Dream, 'I'll be with you when the deal goes down'
    • Jeff Joyce, 'The Nineteenth Century and After'
    • Melinda Hackett, 'hop on pop'
    • Tracy Morgan, 'Devotion'
    • Peter Kirkiles, 'all things being equal'
    • Rachel Frank, 'Landscapes of the Future Past'
    • Lisa Warren, 'Still Portraits / Family Landscapes'
    • Theo Coulombe, 'Imperfect Beauty'
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Shopping Cart Collapsing Beneath the Weight of My Needs was inspired by this recurring dream that I have where I'm endlessly shopping in some sort of Walmart superstore kind of warehouse. I don't know where it is, and I never finish shopping, and it's an incredible banal dream that feels more alarming for how boring it is than any terrors involved. In attempting to figure out what this means, I think about the iconography of a shopping cart - a vessel that holds whatever we're buying (or not buying, in the case of online shopping where I fill carts with items that I never actually follow through on purchasing). It's more of an idea of a cart, than an actual cart. I also think of the hunger inside of me that can seem to only be soothed by window shopping the internet, or making a Target run, this impulsive need to acquire things. But it doesn't stop at things; I want this lifestyle, or that dream, or a different personality, to be funnier, to get invited to places or events, and so on. Tangible and intangible desires, filling tangible and intangible carts. Half the time I don't even know what I want, but I know that I am hungry, and there is a deep psychic pain to that longing that I haven't figured out how to satiate.


Taylor Lee Nicholson




Taylor Lee Nicholson
Shopping Cart Collapsing Beneath the Weight of my Needs
mixed media (paper mache, aluminum foil, felt, paper pulp, cling wrap, pipe cleaners, silicone, plaster)
40 x 46 x 26 in
2023
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